After publishing Charlotte Gann’s book, Noir, I’ve started to think of noir poems as a genre — poems with shadows; poems that set up the dark/light opposition. Poems that expose.
Yes, it’s TALENT. I know.
Sometimes, obscurity exercises its own spell. It’s the bit you don’t understand that does the trick.
No, it's not, of course. That was just to get your attention. In fact, the number of poets in the world is catapulting into almost unimaginable statistics.