Publishers are not to be trusted, and a poet (thank you, Oscar Wilde) can survive anything but a misprint. Yes, I did it again.
We live in a marketing age and it is very easy for poets to get lost. It is necessary to promote them, or at least we've accepted that it is. Hence Twitter and tweeting, Facebook and fleeting, Blurb and bleating.
I do my best in this world of pzazz and huzza. However, I make mistakes. I blame the Fs. After all, I never had a problem with Cliff Ashby. It is because Cliff Forshaw's second name also begins with . . . F.
But I should explain: when people arrive at the HappenStance website, they can elect to receive the email newsletter. Quite a lot do just this. The emails go out three or four times a year, with news of new publications and exciting (sic) events. From my point of view, this is a good thing, since it elicits a small skirmish of orders, and that's what keeps the boat afloat, the flag flying and the metaphors mixing.
On the other hand, it is one more thing to do in the list of necessities for each new publication. Things such as:
So the email newsletter comes last. I don't want it to be a straight repeat of what's written elsewhere because that's boring. So I write something new.
Last week it was something about Jennifer Copley's Living Daylights, Chapter 5 of The HappenStance Story, and Cliff Forshaw's Tiger.
Or it should have been Cliff Forshaw's Tiger, but Cliff proved my downfall. I called him Geoff. I have a good friend called Geoff, whom I email every week. That could have had something to do with it.
I don't think Cliff Forshaw gets the newsletter. He hasn't said anything about it yet . . .
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