Margaret Christie indexes, copyedits and proofreads to support her oboe habit. She has played in various orchestras, chamber groups and scratch bands in and around Edinburgh. As a poet she is a complete original. She's not just exquisitely sensitive to sound - she's tirelessly playful with both aural and visual components. This is a poet and a thinker, and at every stage, she questions and challenges both her reader and herself. Nobody said poetry should be boring. Here's the proof.

 

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